top of page
  • Facebook
  • Instagram
Untitled design (5)_edited.jpg

Festival Dates: 
March 13-15, 2026 (Performance Schedule)

Kentucky Dance Festival Logo OFFICIAL - WHITE  - TRANSPARENT.png

Tickets are $30 plus Pay What You Can Options

Performances will take place at

Actors Theatre: 316 W Main St, Louisville, KY 40202

Friday, March 13 at 7pm

Saturday, March 14 at 7pm

Sunday, March 15 at 2pm

Friday Preshow

Sofia Ritchie (Pittsburgh, PA)

Friday Professional Showcase Lineup:

Ambo Dance Theatre - Amberly Simpson (Louisville, KY)
Ambo Dance Theatre - Kristin Dowdy (Louisville, KY)
Ambo Dance Theatre- Mysti Jace Pride (Louisville, KY)
Dance Uprising (Ypsilanti, MI)
Leslie Dworkin (Dayton, OH)
Janie Morgan (University of Kentucky)
Lindsay Robinson-Ellis (Frankfort, KY)
Sage Movement & Company (Evansville, IN)
The Collected Few (Lexington, KY)
River Lotus Lion Dance (Louisville, KY)
Melissa Watt - Dance Film - (Austin, TX)

Saturday Preshow

Sofia Ritchie (Pittsburgh, PA)
Saturday Professional Showcase Lineup:
Ambo Dance Theatre - Joseph R. Brandt (Louisville, KY)
Ambo Dance Theatre - Sheila Zeng Dudgeon (Louisville, KY)
Nicole Caruana (Louisville, KY)
Deno Dance Company (West Lafayette, IN)
Dogs Eat Wind (Nashville, TN)
HUM Dance Collective (Glasgow, KY)
Abi Elliott (Louisville, KY)
Flamenco Louisville (Louisville, KY)
Ella Claire Johns (Columbia, TN)
Laura Neese (University of Kentucky)
TINGMOTION (Columbus, OH)
Melissa Watt - Dance Film - (Austin, TX)

Sunday Student Showcase Lineup:
Ambo Dance Theatre - Community Ensemble 1 (Louisville, KY)

Ambo Dance Theatre - Junior Company (Louisville, KY)

Ambo Dance Theatre - Helena Smith-Pohl (Louisville, KY)

Melissa Burch (Louisville, KY)

Cabaret Noire (Louisville, KY)
JCPS - Lincoln Elementary Performing Arts School Step Team (Louisville, KY)

 JCPS - Noe Middle School (Louisville, KY)

JCPS - Western Middle School for the Arts (Louisville, KY)

Kentucky Dance Academy (Frankfort, KY)
The Louisville Ballet School (Louisville, KY)
Motion Studio Dance Company (New Albany, IN)

Jamie Nicolas & Phil Murray (Louisville, KY)

Sora Aerial Arts (Lexington, KY)
Alyssa Walker (Greensburg, KY)

Untitled design (5).png

Dancers & Choreographers

River Lotus Lion Dance are a neo-traditional lion dance team Established in 2019, we have performed this sacred art throughout Louisville, KY and the greater metro area. We bring this ancient artform to life by bringing good fortune and prosperity to any event through the expression of vigorous movements, vibrant colors, and other sights & sounds that have been passed down for generations.

Copy of Copy of DSC_1843-Enhanced-NR.jpg

The Legend of the Lion

Choreographed by River Lotus

Acoustic Instruments

Kevin Bach, Eric Dong, Johnny Nguyen, Justin Nguyen, Katelan Nguyen, Kevin Nguyen, Tuan Troung, Tina Van

River Lotus Lion Dance

Laura Neese’s Repatterning is a low-tech, high-humanity, fusion of live music and movement. An intimate quartet of dancers flutter, soar, careen, and whirl through Mark Summer’s effervescent “Pattern Language” for solo cello, as brought to life by Lexington Philharmonic’s Ethan Young. Shifting between distinct isolation and playful interaction – dancers and musician explore possibilities for repatterning joy and connection.

Erin_Quinlan_dancephoto_Neese.png

Repatterning

Choreographed by Laura Neese

"Pattern Language – Julie-O Concert Etude No. 1"
Composer: Mark Summers

Cello: Ethan Young
Costume Design: Lisa Wilson

​Zoe Easterberg, Ali King, Emalie Mullane, Qurria Thomas

University of Kentucky Dept. of Theatre and Dance

We Turn Together is a dance is inspired by the perpetuity of gears and how they intersect and relate to one another. If one breaks or stops working, the whole mechanism crumbles.

Dowdy Performance Shot.jpg

We Turn Together

Choreographed by Kristin Dowdy

"4 120 Vary Vary 2018" by Michael Wall
Costume Design: Lisa Wilson

Costume Design - Kristin Dowdy

Joseph Brandt, Kristen Dowdy, Laurel Mallory, Kennedy Morillo, Mysti Jace Pride

Ambo Dance Theatre

My piece explores the intersection, the fusion point, between art and science. It contrasts the disciplined precision of science with the flowing energy of art. There is a common perception that science is rigid and emotionless while art is free and expressive. Society often separates these disciplines, but my own life reveals how deeply they intertwine.

The piece begins with a structured, deliberate tone, reflecting the perceived boundaries of scientific thought. The piece transitions into a more whimsical and fluid quality, and by the final section, it resolves into a hopeful, harmonious unity.

IMG_0315.JPG

Le Point de Fusion

Choreographed by Ella Claire Johns

"Obituary" by Alexandre Desplat, "Adagio" by Georges Delerue, "The Winner Is" by DeVotchKa and Mychael Danna

Costumes: Shura Pollatsek and Ella Claire Johns

Audrey Barker, Marissa Burch, Tess Fowler, Abby Harper, Karelina Rodriguez, Carroll Ann Shackleford, Loryn Shea

Western Kentucky University

Echos. Warping time.
Head in clouds. Kaleidoscope.
Pockets of being.

Dematerialiation 3.png

Dematerialiation

Choreographed by Melissa Watt in collaboration with dancers

Rigoletto: scena ed Aria. "Gualtier Malde"-Caro nome" By Giuseppe Verdi / Dame Joan Sutherland, Richard Bonynge, London Symphony Orchestra, riccardo Cassinelli, John Gibbs, Christian Du Plessiss & Ambrosian Opera Chorus

Mask design: Melissa Watt,

Videography and editing: Melissa Watt

Gabrielle Aufiero, Rebecca Ouellette, Mysti Jace Pride

Funky Flock: Taking Flight is a vibrant celebration of rhythm, freedom, and community. Set to the swinging sounds of Lionel Hampton, Charlie Christian, and Benny Goodman, this piece takes audiences on a journey from grounded grooves to soaring movement. Like a flock in motion, dancers weave bold steps, playful patterns, and dynamic energy—capturing the spirit of flight and the joy of dancing.
 

Promo Photo Funky Flock 4.jpg

Funky Flock: Taking Flight

Choreographed by Janie Morgan and Dancers

"Gone with What Wind" by Charlie Christian
"Hamp’s Boggie Woogie" by Lionel Hampton & His Orchestra, "Seven Come Eleven" by Charlie Christian"Flying Home" by Lionel Hampton & His Orchestra

Costume Design: Lisa Wilson

Brooke Baldwin, Sara Deale, Adelynn Hamilton, Kennedy Hamilton, Kelsey Jones, Lily Sgroi, October Stitt, Carrie Vest

University of Kentucky

For John

"The Visitors" is a new poignant and playful dance theater piece, co-choreographed by Leslie Dworkin and Kent De Spain. Two strangers appear uninvited in an empty home to explore a world filled with mystery and nostalgia. Are these figures refugees? Are they haunted by their past? Are they explorers on the cusp of a new world? At times humorous, impactful, and inspired by the plight of the refugee, this duet explores the ramifications of embracing one's outsider status.

Visitorsbw.jpg

The Visitors

Choreographed by Leslie Dworkin and Kent De Spain

Music from "Tales from the Loop" by Philip Glass and Paul Leonard-Morgan

Kent De Spain, Leslie Dworkin

The words of the title mean "the flame, the firewood". The traditional song forms in flamenco are called "palos" which literally means stick. This piece, much like a bonfire, consists of multiple palos: jaleo, solea por buleria, alegria. The performers themselves are the fuel, aided by our instruments and equipment.

Diana Lean Lanabella Photography.jpg

La Llama, La Leña

Choreographed by Diana Dinicola

Traditional as interpreted by the musicians

Guitar: Paul T. Carney Voice: Grace Mican-Work

Becca Barrett, Paula Collins, Diana Dinicola, Larissa May, Grace Mican-Work, Mercedes Nelson

Flamenco Louisville

"Landing," choreographed by Amy Cadwallader in collaboration with the dancers, premiered in Dance Uprising's April 2025 concert. This work uses Pilobolus style partnering to embody landscapes from around the world, slowly morphing from one to the next in a kaleidoscope of movement.

Landing3_JohnSobzcak.jpg

Landing

Choreographed by Amy Cadwallader

"Original composition by Max Popkin

Costume Design: Amy Cadwallader

Amy Cadwallader, Nicole Heikkilä-Popkin, Elijah Lennington, Rachel Meloche, Erin Potvin, Theo Renee Seibert

Dance Uprising

Murmurs of Mural is a contemporary dance work that explores how cultural memory lives within the body. Drawing inspiration from ancient Dunhuang murals, a historic and artistic heritage of Chinese culture, the piece transforms still imagery into moving presence through breath, gesture, and collective rhythm. Blending Chinese aesthetics with contemporary movement, the dancers become living surfaces - carrying traces of history while allowing new meanings to emerge - inviting audiences into a quiet, resonant space where memory, imagination, and movement meet.

Tingyu Image 4.JPG

Murmurs of Mural

Choreographed by Tingyu Xie

Section 1: No Man's Land 无人之地 by Umrcumrc;
Section 2: Honor of Kings 神鼓传响 by HeartStrings

Costume Design: Tingyu Xie

Xinyi Shao, Luna Wang, Ningyu Wang , Tingyu Xie, Xiling Zou

TINGMOTION

“Where The Rungs Don’t Reach” honors the unseen weight women carry and the strength they offer one another. Rooted in the quiet grief of miscarriage and the absence it leaves behind, the piece uses the metaphor of a ladder to show how women become rungs for each other by lifting, steadying, and supporting the climb toward healing. Each upward step reflects love, remembrance, and resilience. Though born from loss, this is ultimately a celebration of women as builders of hope and light, rising together with grace.

Elizabeth O’Brien Choreographer.jpg

Where The Rungs Don't Reach

Choreographed by Elizabeth O'Brien

Original Sound Design: Noah RedElk

Vanessa Bilic, Christy Carr, Nina Deno, Kayla Marvel, Elizabeth O'Brien, Rachel Yurek

Deno Dance Company

Tethered is about connection – holding onto, releasing, knotting up, and unraveling – ourselves, our thoughts, and each other.

Choreographer Headshot - Credit Stephanie Hardwick.jpg

Tethered

Choreographed by Abi Elliott with Aubrielle Whitis

Abi Elliott, Aubrielle Whitis

"MA'AMSIR" follows two dancers’ fumblings through identity, individualism and the supposed ideal of freedom which, at times, feels a lot like imprisonment. The two try on various disguises and personas as they battle to stay original. Still, the more time they spend together, they can’t help but morph into one common being - a being which has no identity in particular, or one whose identity is in constant flux - one that both thrives in and is entrapped by language itself and is much more inclined to be danced than to be named.

8-IMG_6253.JPG

MA'AMSIR

Choreographed by Hayden Hubner and Hannah McCarthy

Original Score: Hayden Hubner, Hannah McCarthy, and Isaac Q. Horton

Text elements: Hayden Hubner and Hannah McCarthy

Hayden Hubner, Hannah McCarthy

Dogs Eat Wind

An expository on perception and vision. We don't always see things as they are, our perceptions are skewed. This is an effort to bring things back into proper alignment.

Untitled design (5)_edited.jpg

Plumb

Choreographed by Nicole Caruana

Rachmaninoff Concerto No. 3

Nicole Caruana

Where I Hold Grief, Light Still Comes traces a journey through loss—through the ache of absence, the weight of memory, and the quiet persistence of love. The light does not erase the grief; it arrives beside it, gentle and unwavering, until the storybook closes, cradling both.

IMG_3189.jpeg

Where I hold Grief, Light still comes.

Choreographed by Brittany Hudson Trent, Jaasiel Wilson

“Claire De Lune” - Claude DeBussey, Alexis Weissenberg

Lydia Fletcher, Lindsey Flowers, Brenna Lancour, Robin Lasley, Layne Masters

“Heart” was adapted from a dance film produced by Chris Hobdy in summer 2019 with choreography by Trevor Edwards danced with Christina Saliga in Bardstown, Kentucky at Wickland— house of the 3 governors. It has been adapted for stage and recently premiered in Nashville, TN at “Saturn Returns: This is 30” on January 17th 2025 and was made for Hannah McCarthy & Trevor Edwards.

Screenshot 2026-02-13 at 2.52.05 PM.png

Heart

Choreographed by Trevor Edwards

“Heart” by Rainbow Kitten Surrise

Costume Design by Trevor Edwards
Costume Edits by Tori Gillespie

Hannah McCarthy, Trevor Edwards

HUM Dance Collective 

This piece explores movement in relationship to changing time signatures throughout the piece. Through this exploration of different time signatures, the piece also explores different elements and efforts of dance that showcase the different qualities of movement.

IMG_4701.PNG

5...67!

Choreographed by Sheila Zeng-Dudgeon

"6 110" by Michael Wall; "7 136" by Michael Wall; "5 140" by Michael Wall

Caeli Baker-Green, Melissa Bowen, Marie Cunningham, Kristin Dowdy, Kennedy Morillo, Amberly Simpson

Ambo Dance Theatre

This work is about giving and taking. It is about the struggle of being able to give compliments and feedback to others and the selflessness that it takes in order to do so. It is also about taking just what you need from the earth and giving back to it. In addition, it is about being able to take compliments from others without throwing a demeaning comment about myself back at them for giving said compliment. So, it is about learning how to both give and take. Both have their challenges, but both are equally important.

24.jpg

The Give and Take Of

Choreographed by Mysti Jace Pride

"Give" by Tori Amos

Joseph Brandt, Kennedy Morillo, TeNnile Ray, Rylan Truman, Ella Vanderkolff

Ambo Dance Theatre

we are all floating through this life relatively unaware and objectively unaccompanied. wouldn't it be better if we supported each other on this journey we call life- giving unbridled companionship, an uplifting base, and a safe place to land? see this concept in motion in "Float".

Jaddyn.JPG

Float

Choreographed by Jaddyn Sage

"Float" by Tae Fir

Copper Craig, Jaddyn Sage

Sage Movement & Co.

This dance explores how a body can somatically move through loss. Grounded and vulnerable, it welcomes what we often silence. Through creative process, daily gestures soften and shift: habitual patterns unravel and gently reweave themselves into new rhythms—new ways of being that add depth and texture to the soundtrack of life. Movement becomes an act of care, restoring the mind/body connection, and deepening our ties to those we love. "You There, Me Here" carries years of processing—the acceptance and grief following her brother-in-law’s death by suicide at 36 in 2023—offering a space for compassion, presence, and shared healing.

Lindsay 1.jpg

You There, Me Here

Choreographed by Lindsay Robinson-Ellis

The choreographer is working from the place of a suicide survivor, but there are no definitive depictions or verbal discussions on the topic within the work.

Untitled-TBD by Jaret Ellis

Jaret Ellis (musician), Lindsay Robinson-Ellis

TBD

Untitled design (5)_edited.jpg

Villanelle

Choreographed by Amberly M. Simpson

"5 106  - Remix 2026" by Michael Wall

Laurel Mallory, Amberly M. Simpson, Helena Smith-Pohl, Mary Rose Stelzer-Weise, Rylan Truman, Ella Vanderkolff

Ambo Dance Theatre

TBD

Untitled design (5)_edited.jpg

Dancers. In. Space. (Pilot)

Choreographed by Joseph R. Brandt in collaboration

with the dancers

"Command 64" by Wojciech Golczewski

"Deep spaceship engine" by jstarrcreative
"Dancers. In. Space. Theme" by Joseph R Brandt
"Spaceship Cockpit Ambience 03" by Tim_Verberne
"bad ending of video game ORGAN" by kbrecordzz

Melissa Bowen, Joseph R. Brandt, Kristin Dowdy, Kennedy Morillo, Mysti Jace Pride, Sheila Zeng-Dudgeon

Ambo Dance Theatre

© 2035 by Site Name. Powered and secured by Wix

bottom of page